Tom Morello is living proof of the transformative power of rock ’n’ roll. As the co-founder of Rage Against The Machine, Audioslave and Prophets Of Rage, and through collaborations with everyone from Bruce Springsteen to Johnny Cash, he has continually pushed the limits of what one man can do with six strings.
On his latest trio of releases: The Atlas Underground, The Atlas Underground Fire and The Atlas Underground Flood, he’s transformed his sound into something even he could not have anticipated, blending Marshall stack riff-rock with the digital wizardry of EDM and hip-hop to create the most ambitious artistic effort of his storied career.
The Atlas Underground includes collaborations with Marcus Mumford, Portugal. The Man, the Wu-Tang Clan’s RZA and GZA, Vic Mensa, K.Flay, Big Boi, Gary Clark Jr., Pretty Lights, Killer Mike and Whethan among others. “The riffs and the beats led the way, but the extraordinary talents of the collaborators set my creativity into uncharted territory,” says Morello of the project.
Assembled over years in a variety of studios, The Atlas Underground is what Morello calls “a clandestine sonic conspiracy of artists working in disparate locations toward a shared goal of creating a new genre of music.” The lyrics often take the form of “social justice ghost stories,” and on tracks such as Bassnectar, Big Boi and Killer Mike’s “Rabbit Revenge” and the RZA/GZA-featuring “Lead Poisoning,” they convey the experiences of those less fortunate who were unable to speak up for themselves.
“This record also afforded me the opportunity to divest myself of my natural Type A controlling character,” admits Morello, whom Rolling Stone has recognized as one of the 100 greatest guitar players of all time. “After initial conversations with the collaborators about theme and lyrics, I made it clear that there was no ego stake in these songs and that the only goal was to make something we all loved; something that was fucking powerful with no preconceived notions other than the freedom of taking a blank sonic page and letting our freak flag fly.”
Morello took great joy in sending batches of riffs and guitar noises to collaborators such as Bassnectar and Knife Party, who would send back “smashing tracks” that scrambled everything together. Just as rewarding were in-person jam sessions with artists such as Clark, where songs were built verse/chorus/lyrics from scratch. And in the case of “Find Another Way,” Mumford and Morello teamed up for early-morning Skype sessions in-between their parental duties.
“I’ve been devoted both musically and as an activist to fighting injustice at every turn,” says Morello. “Amid this heightened sense of impending doom, it’s now time to rally the troops in a last-ditch effort to save the planet, and our artistic souls. By challenging the boundaries of what music is and has sounded like before, you can open peoples’ eyes to changing the status quo in society.”